This is a piece I did for the April Challenge for Polymer Clay Artists Guild of Etsy (PCAGOE). I rarely work in 100% polymer clay but I thought it might be fun to try. I started with a mold I made of a carved walnut shell and then made flowers, snails, a beetle and some budding plants. I painted it with various metallic paints when it was baked and here you go...
4.19.2007
4.12.2007
Product Reviews: Amazing Mold Putty & Super Sculpey Firm
Let me begin by saying I love Amazing Mold Putty. I have more molds than a teenager out on their own for the first time. I have finally graduated from molding what is around me to creating molds from polymer clay so I can cast my own unique pieces. The molding putty is easy to mix, not too sticky and makes detailed impressions. It is an easy 1:1 ratio. I have tried about 3 other brands and I have to say they each had their own issues. One was so sticky it was hard to mix without getting everywhere and the other two made molds that weren't flexible enough. I started out by carrying it with me everywhere and molding anything that caught my eye; texture on furniture (don't use on fabrics, I was playing with wicker and bamboo pieces), floors, walls, friends' appendages, etc... It sets up fast and stays pliable. I've made impressions in polymer clay and now resin and the resulting pieces are just as interesting as the original. I found you have to watch for air bubbles but that seemed to be the case with all of the brands. Paying attention to how you are mixing the parts together helps cut down on the bubbles.
I have also been using Super Sculpey Firm as my sculpting medium. It is easy to condition, easy to blend and is very durable. I found that the lumps, bumps and fingerprints disappear with less effort. For my usual work I'll still stick to Premo but for pieces I'm going to cast in resin I will use SSF. I'm enjoying the smoother texture and have been impressed with how it holds onto details.
Hope this information helps with anyone who has been experimenting with mold making. I haven't graduated to the liquid silicone molding mediums yet but I probably will. I have been eyeballing some of my 3-D works for casting and need something else to make molds with. I'll keep you posted.
I have also been using Super Sculpey Firm as my sculpting medium. It is easy to condition, easy to blend and is very durable. I found that the lumps, bumps and fingerprints disappear with less effort. For my usual work I'll still stick to Premo but for pieces I'm going to cast in resin I will use SSF. I'm enjoying the smoother texture and have been impressed with how it holds onto details.
Hope this information helps with anyone who has been experimenting with mold making. I haven't graduated to the liquid silicone molding mediums yet but I probably will. I have been eyeballing some of my 3-D works for casting and need something else to make molds with. I'll keep you posted.
4.05.2007
Birthday Weekend
I'll be gone for the weekend celebrating my birthday so I won't be doing anything crafty to post about. Just wait til next week though. I have plenty of things in the works...
4.02.2007
Any Market for Weird Purses?
I've been encouraged to make more of my cigar box purses. I have a couple for sale and they get looked at a lot but no one picks them up. I try not to be too effected by this. I know that making things true to yourself is more important than trying to make things you think will sell.
So I traded some light poster work for a temporary salesman. He is willing to talk to some people about carrying some of my purses and hopefully he is better at it than I am. I am still too attached to my work and have a hard time watching the buyer's eyes judge everything. I think this is why I love the internet so much. You can still interact with your customers, you have a broader customer base (if you can reach them) and there is a barrier between the work and the fear of rejection.
I find my fear of rejection funny. I mean, I have confidence in my work and my attention to quality. I think my stuff is fairly unique and I enjoy making it. But put me in front of a person who isn't as enthusiastic about my work and suddenly I am full of doubt. I know it happens to everyone and plenty of people either get over it or ignore it enough to schlep their stuff around but I haven't figured that part out yet.
I think for the next few I'll base my purses off of these...
These are listed on Etsy so I can't send them around to shops.
I made the figures first then decided to put them on purses. So I think I'll work that way again; just start playing with the figures and see what happens then decide what to do with them. I made molds of some doll heads and various insects. Then I added skulls, flames and embellishments. I'm pretty sure that in the next few weeks I can have an extensive line of creepy purses and no two will be alike.
So I traded some light poster work for a temporary salesman. He is willing to talk to some people about carrying some of my purses and hopefully he is better at it than I am. I am still too attached to my work and have a hard time watching the buyer's eyes judge everything. I think this is why I love the internet so much. You can still interact with your customers, you have a broader customer base (if you can reach them) and there is a barrier between the work and the fear of rejection.
I find my fear of rejection funny. I mean, I have confidence in my work and my attention to quality. I think my stuff is fairly unique and I enjoy making it. But put me in front of a person who isn't as enthusiastic about my work and suddenly I am full of doubt. I know it happens to everyone and plenty of people either get over it or ignore it enough to schlep their stuff around but I haven't figured that part out yet.
I think for the next few I'll base my purses off of these...
These are listed on Etsy so I can't send them around to shops.
I made the figures first then decided to put them on purses. So I think I'll work that way again; just start playing with the figures and see what happens then decide what to do with them. I made molds of some doll heads and various insects. Then I added skulls, flames and embellishments. I'm pretty sure that in the next few weeks I can have an extensive line of creepy purses and no two will be alike.
4.01.2007
Hot Rods and Art
Ok, nothing too crafty today. I've been oversaturated with hot rods this weekend and I'm processing. I love that whole culture but I am more of a voyeur than a participant (aka, no hot rod of my own, soon though, I don't have a enough tattoos and don't hang out with that crowd on a regular basis.)
Lonestar Rod & Kustom Round Up
I do have a very well grounded appreciation for that scene though, as a lot of the artists I love seem be influenced by a combination of '50's hot rod art and the skater scene. Yes, they are different but to me and most other people who have been following the "low brow" art scene (which needs a new name BTW,) looking at it from an aesthetic point of view, there are some common threads.
I have also become convinced I need to learn to do pin striping...
Lonestar Rod & Kustom Round Up
I do have a very well grounded appreciation for that scene though, as a lot of the artists I love seem be influenced by a combination of '50's hot rod art and the skater scene. Yes, they are different but to me and most other people who have been following the "low brow" art scene (which needs a new name BTW,) looking at it from an aesthetic point of view, there are some common threads.
I have also become convinced I need to learn to do pin striping...
Subscribe to:
Posts (Atom)